abraded yarn
A two-ply combination
yarn. One is an abraded ply, the other is
filament viscose
rayon.
blended yarn
A strand of fibers produced from two or more constituent fibers that have been thoroughly mixed (blended) before
spinning.
boucle yarn
Boucle
yarn is a rough, quite thick and slubby
linen yarn that is characterized by tight loops projecting from the body of the
yarn with regular intervals. It is a novelty
yarn often mixed with
yarns of other fibers for textural interest. Boucle
yarn is very popular because there are many varieties and weights.
bright yarns
Bright yarns are high
luster yarns made of
rayon or
acetate fibers.
count of yarn
Size of
yarn as distingui
shed by its weight and fineness. This term is applied to
cotton,
wool, and spun
yarns.
curled yarn
A
textured yarn made by a heated blade that curls the filaments.
double yarn and twist yarn
A two-ply
yarn made from single
yarns of different colors. A mottled effect is produced.
high-bulk yarn
Although the term high-bulk
yarn is definitely a technical one, it is used occasionally in advertising. Highbulk
yarns are processed so that, through a form of shrinkage in the processing, they are thicker and bulkier than they would be otherwise.
line yarn
Well-hackled, even
linen yarn made of long fibers.
loop yarn
The slack-twisted strand is twisted to form loops or curls. This strand is held in p
lace by one or two binder yarns.
modified yarns
See
modified fibers.
multifilament yarn
A
yarn made of two or more filaments (long threads) of
man-made fibers (monofilaments) that are joined together, usually by twistingally by twisting.
seed yarn
A very small nub often made of dyed
man-made fibers applied to a dyed or natural-base
yarn.
sheath-core yarn
A bulky
yarn of synthetic fibers consisting of a core of fine
denier fibers with considerable shrinkage and a cover or wrapping of coarse
denier relaxed fibers.
single yarn
One strand of fibers or filaments grouped or twisted together. See
singles.
splash yarn
An elongated nub
yarn that has been tightly twisted around a base
yarn.
spun fiber yarn
(1) A
yarn twisted by
spinning. (2) Yarn made from
staple lengths of man-made
fibers instead of the long fiIaments in which man-made
fibers are formed. To accomplish this, long
filament fibers are chopped into
staple lengths and spun to imitate natural
fiber yarns. See
filament arrd
staple.
stretch yarn
A
textured yarn that has good stretch and
recovery. It can also refer to
yarns made of
fibers that have elastic properties or to those
yarns whose elastic properties are obtained by alterations of the basic
fiber.
thick and thin yarn
Produced by varying the diameters of
man-made fibers.
unbalanced yarns
Yarns in which there is sufficient
twist to set up a torque effect, so that the
yarn will un
twist and re
twist in the opposite direction.
warp yarns
Yarns that run parallel to the
selvage or long dimension of a fabric.
woolen yarn
Woolen
yarn is a type of carded
yarn made of relatively short fibers of varying lengths.
yarn
A generic term for a continuous strand spun from a group of natural or synthetic
staple fibers (short lengths of fibers), filaments (long lengths), or other materials twisted or laid together for use in weaving,
knitting, or some other method of intertwining to form textile fabrics.
yarn dyed
Yarn dyed fabrics are dyed before the
finishing of the fabric. Yarn dyed fabrics are considered more colorfast than piece dyed or printed fabrics.
zephyr yarn
A fine, soft
yarn with a low
twist popular for hand
knitting. Originally made from
wool, zephyr is usually made of
acrylic and often has other fibers such as
silk added to it.
abraded yarn
A two-ply combination
yarn. One is an abraded ply, the other is
filament viscose
rayon.
antique taffeta
As it was originally a pure
silk fabric nowadays normally contains a
mixture of polyester and
silk (predominantly dupion
silk). Often
yarn-dyed with two colors to give it an
iridescent effect. Connected to: shantung
batiste
A fabric named for Jean Baptiste, a French
linen weaver. (1) In
cotton, a
sheer, fine
muslin, woven of combed yarns and given a mercerized finish. It is used for blouses, summer shirts, dresses,
lingerie, infants dresses, bonnets, and handkerchiefs. (2) A
rayon, polyester, or
cotton-blend fabric with the same characteristics. (3) A smooth, fine
wool fabric that is lighter than challis, and similar to fine nuns veiling. It is used for dresses and negligees. (4) A
sheer silk fabric either plain or figured, similar to
silk mull. It is often called batiste de soie and is made into summer dresses.
bias
Bias is a fabric cut diagonally across the
warp and filling yarns. A true bias is cut on a 45° angle from the lower left to the upper right of a cloth.
boucle
Boucle is a fabric woven with boucle yarns with looped appearance on the surface. The fabric has a abrasive surface. Boucle fabrics are woven or knitted by both, hand and ma
chine.
boucle yarn
Boucle
yarn is a rough, quite thick and slubby
linen yarn that is characterized by tight loops projecting from the body of the
yarn with regular intervals. It is a novelty
yarn often mixed with
yarns of other fibers for textural interest. Boucle
yarn is very popular because there are many varieties and weights.
bright yarns
Bright yarns are high
luster yarns made of
rayon or
acetate fibers.
broadcloth
Although the term broadcloth originally meant any fabric made on a
loom of a certain width, it now means a fine, tightly woven fabric with a faint
rib. Originally, it was made of mercerized
cotton, but today the term is used to desc
ribe several dissimilar fabrics made with different
fibers, weaves, and finishes. (1) Originally, a
silk shirting fabric so named because it was woven in widths exceeding the usual twenty-nine inches. (2) A plainweave, tightly woven, high-count
cotton fabric, with fillingwise
rib finer than poplin. Best grades are made of combed pima or Egyptian
cotton, usually with high
thread counts (136x60 or 144x76). The fabrics are usually mercerized, sanforized, and given a soft lustrous finish, and are used for womens blouses, tailored summer dresses, and mens shirts. (3) A closely woven, medium-weight
wool cloth with a smooth nap, velvety feel, and lustrous appearance. Wool broadcloth can be made with a two-up-and-two-down
twill weave or
plain weave. In setting up a
loom to make the fabric, the
loom is
threaded wide to allow for a large amount of shrinkage during the filling process. The fabric takes its name from this wide
threading. High-quality
wool broadcloth is fine enough for garments that are closely molded to the figure or draped. Its high-
luster finish makes it an elegant cloth. Wool broadcloth is ten to sixteen ounces per yard and is now being made in
chiffon weights. (4) A fabric made from
silk or man-made
filament fiber yarns and woven in a
plain weave with a fine crosswise
rib obtained by using a heavier filling than
warp yarn.
brocade
Brocade is used as a drapery or upholstery fabric. It has a Jacquard weave with an allover interwoven design, normally figures or flowers. The name is derived from the French word meaning to ornament. The brocade pattern is accentuated with varying surfaces or colors and often has gold, silver, or other
metallic threads running through it. Although true brocades still are produced, nowadays the term is also used for knits with a similar luxurious look. A brocade rug, in carpeting, is one in which different yarns of the same color create a subtle pattern.
buckram
A stiff, open-weave fabric made from coarse yarns and used primarily for stiffening in interfacings and hat shaping. Originally, buckram was sized with starch that was not permanent, but today most buckrams have a permanent stiff finish.
bulking
A
yarn finishing process in which the
yarn is made thicker or bulkier by
heat setting crimp into the filaments or by looping individual fibers with an air jet. Bulking gives
yarn and fabrics a less shiny, fluffier appearance. Bulking is often used in making sweater
yarns.
candlewick
Candlewick is a thick and mellow
yarn used to form tufts by pulling it through a base fabric and then cutting it. The term ""candlewick"" is also used for the fabric made by this method.
chambray
(1) A plain-woven fabric with an almost square count (80x76), a colored
warp, and a white filling, that gives a mottled, colored surface. The fabric is named for Cambrai, France, where it was first made for sunbonnets. Although chambray is traditionally woven, the look itself is so popular it is imitated in
knitting. It is similar in appearance to
denim but much lighter in weight. It is used for womens and childrens summer dresses and mens shirts. (2) A
cotton print cloth made of
yarn-dyed
yarns that can also be woven in patterns and woven in stripes. (3) A similar but carded-
yarn fabric used for work clothes and childrens play clothes. See
denim.
changeable fabric
Fabric woven with yarns of one color in the
warp and another color in the filling so that the fabric seems to change color as the light strikes it. Other names for this type of fabric are
iridescent and
shot.
chenille
Chenille is a fabric consisting of
wool,
cotton,
silk or artifical fibers. It is woven from blurry
yarns or tufts. Usually it is a mix from chenille and normal textile
yarns. While chenille is the filling, the other
yarn is the
warp. Chenille is a pile
yarn originally made by weaving a pile fabric and subsequently cutting it into strips. Its main use is for draperies and bedspreads.
chiffon
Chiffon is an extraordinary lightweight and thin
crepe fabric. Originally, chiffon was made of
silk, but today also
wool,
rayon, nylon and other fibers are used for the production of chiffon. It is an open weave with slightly twisted yarns and can have both, a soft or stiff finish. Chiffon is often used for dresses and scarves.
chino
A
twill-weave
cotton originally used for slacks, sport shirts, and summer military uniforms. It is made of two-ply
cotton combed yarns, vat-dyed, and is mercerized and Sanforized. Today, the name is given to any medium-weight, sturdy fabric with a slight sheen. Khaki green and military tan are common chino colors, but the fabric is also made in other colors.
cotton linters
Cotton fibers that are too short for
yarn or fabric manufacturing.
count of yarn
Size of
yarn as distingui
shed by its weight and fineness. This term is applied to
cotton,
wool, and spun
yarns.
crepe
A lightweight fabric of
silk,
rayon,
cotton,
wool, man-made, or blended fibers, and characterized by a crinkled surface. This surface is obtained through the use of crepe
yarns (
yarns that have such a high
twist that the
yarn kinks), and by chemical treatment with caustic soda, embossing, or weaving (usually with thicker
warp yarns and thinner filling
yarns). Although crepe is traditionally woven, crepe
yarns are now used to produce knit crepes.
crepe-backed satin
A two-faced fabric that can be used on either side. One is
satin whereas the reverse, made of twisted yarns, is
crepe.
crepe georgette
A
sheer fabric, similar to
chiffon, made with a
crepe yarn that gives the fabric a
crepe appearance. See
chiffon and
crepe
crochet
A method of making fabric in which one
yarn and one needle are used to form loops into which other loops are inserted. True crochet is a handcraft. Ma
chine-made crochets are usually knitted on
raschel ma
chines.
curled yarn
A
textured yarn made by a heated blade that curls the filaments.
denier
A technical term referring to a unit of
yarn number equal to the weight in grams of 9000 meters of the
yarn. It is used for
silk and man-made
yarns in hosiery as a description of
sheerness.The lower the denier number, the more
sheer the stocking, panty hose, or garment. For instance, 40 denier hose are much finer and more
sheer than 60 denier hose.
denim
A
cotton twill weave fabric made of single hard-twisted yarns. The
staple type has colored
warp and white or undyed filling
thread. When the fabric (and the look) became popular, the name denim was given to many other types of fabric, including cross-dyed fabrics and bru
shed fabrics, both knit and woven, that resemble true denim. Most jeans are made of denim and the most popular and traditional denim color is blue. Sports denim is softer and lighter in weight. It is now available in many colors, and in plaids and stripes. Woven-in stripes and plaids are popular for draperies, upholstery, and bedspreads.
double yarn and twist yarn
A two-ply
yarn made from single
yarns of different colors. A mottled effect is produced.
doupion
Silk that comes from the
fiber formed by two
silk worms who spun their cocoons together in an interlocking manner. The
yarn is uneven, irregular, and larger than regular filaments. It is used to make
shantung and doupioni. Also called douppioni, dupion, and dupioni.
duck
Originally, a fabric lighter in weight than
canvas. Today, the terms are synonymous. A durable plain-weave, closely woven
cotton, generally made of ply yarns, in a variety of weights and
thread counts. It is used for uniforms, belts, awnings, tents, and sails. See
canvas.
Egyptian cotton
A fine, long,
staple cotton generally grown in Egypt along the Nile Delta. Egyptian
cotton fibers average more than 1112 inches in length and produce a strong, lustrous
yarn. See
cotton.
embroidery
The term for a group of decorative, usually ornamental and nonfunctional needlework done with
thread or
yarn on fabric. Most ma
chine embroidery is done by the Schiffli ma
chine which can imitate many different hand embroidery
stitches. Although embroidery is usually thaught of as being done in several colors, white work (white embroidery on white fabric) and black work (black embroidery on white fabric) are fairly common. Embroidery terms are tremendously variable, with different words being given to the same
stitches in different countries, and even different sections of the same countries. Some of the most common embroidery
stitches are
beading, buttonhole
stitch, chain
stitch,
chevron stitch,
satin stitch, stem
stitch, back
stitch, and straight
stitch.
eyelash
Term used to describe clipped yarns that lie on the surface of a fabric, giving the effect of eyelashes.
faille
A soft, slightly glossy
silk,
rayon,
acetate,
cotton,
wool, or a
mixture of these, in a
rib weave, that has a light, flat, narrow crosswise
rib or
cord. It is made by using heavier yarns in the filling than in the
warp, and has more
ribs to the inch than benga
line. Ottoman is similar to faille but has a wider
rib. Faille is considered a dressy fabric, and is used for evening clathes, tailored dresses, coats, suits, ties, handbags, shoes, and draperies. See ottoman.
fiber
The basic unit used in the fabrication of textile
yarns and fabrics. Fibers are much longer than they are wide. The term at one time was limited to materials that could be spun into
yarn, but now is used to include filaments that do not require
spinning, such as
silk and
man-made fibers.
filament
Extremely long continuous fibers that can be measured in meters or yards, or in the case of
man-made fibers, in kilometers or miles. Filaments do not require
spinning to form
yarn. Examples are
rayon, nylon,
acrylic, polyester, and other
man-made fibers. Silk is the only natural filament
flax
Fibers of the flax plant that are spun into
linen yarns and woven into
linen cloth. The word
linen is derived from linum, part of the scientific name for the flax plant. See
linen.
floss silk
Tangled
silk waste. Floss is also a twisted
silk yarn used in art needlework.
garnetting
Shredding
wool fabrics into a fibraus state, prior to remanufacture into
woolen
yarn.
gauze
A thin,
sheer, open, loosely woven, plain-weave
cotton fabric with widely spaced yarns, used for diapers and surgical dressings. It can also be made of
wool,
silk,
rayon, or other
man-made fibers. Some weights are stiffened for curtains, trimmings of dresses, and other decorative or apparel purposes.
georgette
A soft,
sheer dull-
textured silk fabric, similar to chiffon, made with a
crepe yarn to give the fabric a
crepe appearance. The crepy surface is obtained by alternating right-hand and left hand
twist yarns in
warp and filling. It is used for summer and evening dresses. See
chiffon and
crepe.
glass fiber
Very fine flexible
fiber made from glass. It. is used extensively for curtains and draperies. Glass
fiber fabrics are very strong and wash well, but care should be taken to avoid getting small sp
linters of the glass yarns in the hands. Glass
fiber is stiff and has poor resistance to wear and
abrasion. It is also
fireproof. See
fireproof.
glitter
The name, sometimes used in p
lace of
lame, for any fabric woven or knitted with all
metallic yarns or with a combination of
metallic and other
fiber yarns. Today, most glitter is made from one of the nontarnishable
metallic fibers, a great improvement over
lame of the past that tended to darken with age.
grain
The direction in which the yarns run in weaving. The straight grain is the direction of the
warp yarns.
grenadine
A tightly twisted ply
yarn composed of two or three
singles.
high-bulk yarn
Although the term high-bulk
yarn is definitely a technical one, it is used occasionally in advertising. Highbulk
yarns are processed so that, through a form of shrinkage in the processing, they are thicker and bulkier than they would be otherwise.
homespun
Originally, fabrics made from yarns spun by hand. Today, homespun is used for fabrics that imitate this look. It is a very coarse, rough, plain-weave fabric, loosely woven with irregular, tightly twisted, and nubby, unevenly spun yarns. It is made from
linen,
wool,
cotton, or man-made
fiber, or blends in varied colors and is used for coats, suits,
sportswear, draperies, upholstery, and slipcovers.
Honan
A heavy
silk,
pongee-type, but a finer weave, originally the product of wild
silkworms of Honan, China. A fabric of the best grade of Chinese
silk, it is sometimes woven with blue edges. It is now made to resemble a heavy
pongee, with slub yarns in both
warp and filling. Honan is manufactured from
silk or from
man-made fibers. It is used for womens dresses. See
silk,
pongee, and wild
silk.
huck
A type of toweling fabric with a honeycombed surface made by using heavy filling yarns in a
dobby weave. It has excellent absorbent qualities. It is woven with a pattern, most often with a
dobby attachment on the
loom and may have Jacquard borders. Huck is traditionally made of
cotton,
linen, or
rayon, or a
mixture of these, although today, other fibers may be used. In a
mixture it is called a union fabric. Face or hand towels are made in white or colors and are used for drying dishes, glasses, and kitchen utensils. Huck is also called huckaback. Embroidery enthusiasts often use huck as a ground for their work. See
dobby.
ingrain
A knitted or woven fabric made of yarns dyed before
knitting or weaving.
iridescent
Fabric woven with yarns of one color in the
warp and another color in the filling so that the fabric seems to change color as the light strikes it. Other names for this type of fabric are changeable and
shot.
jacquard patterns
Fancy patterns knitted in articles made by a special attachment on the
knitting ma
chine. Jacquard weave A construction characterized by very intricate woven-in designs. A special Jacquard
loom makes these designs by controlling each
warp yarn.
knitting
The process of constructing an elastic, porous fabric by interlocking a series of loops of one or more yarns with needles. It may be done by hand or by ma
chine. These yarns form a series of connecting loops that support one another like a chain. Almost any textile item can be and has been knitted, including rugs. A
warp knit is made on a ma
chine in which parallel yarns run lengthwise and are locked into the series of loops. Warp knits have a good deal of crosswise stretch. Wett knits are made on a ma
chine that forms loops in a circular direction and have one continuous
thread running across the fabric. The following entries are common knit terms.
crocheted lace
Lace made with a
single yarn. A
crochet hook is used to form loops joined to other loops to form the design.
Breton lace
Lace made on open net, usually embroidered with very heavy, often brightly colored, yarns, Breton is the area in France where the
lace is said to have originated.
lame
Brocade,
damask, or
brocatelle fabrics in which flat metallic
yarns (or with a combination of
metallic and other
fiber yarns) are woven or knitted in
warp and filling for a luxurious effect. Today, most lame is made from one of the nontarnishable
metallic fibers, a great improvement over lame of the past that tended to darken with age. Lame is also a trademark terrn for a nontarnishable
metallic yarn. Glitter is sometimes used to describe this type of fabric and is used for evening dresses, blouses, and trimmings.
latex
The name for the liquid form of natural or man-made
rubber. It can be formed into
thread for use as an elastic
yarn. La
tex is also used extensively as part of the backing in the manufacture of rugs and at one time, was used extensively in corsets and brassieres. Now, however, although some la
tex foundation garments are still made, it has been largely replaced by
spandex. Solid la
tex is sometimes referred to as
rubber. See
spandex.
leno
An open, lacy woven fabric made with a special
loom attachment. In a leno weave a pair of filling yarns
twist around the
warp yarns in various patterns to achieve the lacy effect. A leno weave is also made by
twisting adjacent
warps around each other like a figure eight. The filling passes through the
twisted
warps. l.eno fabrics are popular for curtains and summer dresses.
letting off
Releasing
warp yarns from the
warp beam as the weaving operation proceeds.
line
Longest
flax fibers used for fine, even
linen yarns. Shortest
flax fibers are called
tow.
line yarn
Well-hackled, even
linen yarn made of long fibers.
lisle
A hard, usually long-
staple cottan ar
wool yarn of defined length im two or more ply and with a minimum
twist far a given count specified by the Federal Trade Commission (FTC) rules for hosiery.
longdoth
A fine, soft,
cotton cloth woven of softly twisted yarns. It is similar to nainsook but slightly heavier, with a duller surface. Longcloth is so called because it was one of the first fabrics to be woven in Iong rolls. lt is also a synonym for
muslin sheeting af gaod quality. The fabric is used for underwear and linings. See nainsook and
muslin sheeting.
loop yarn
The slack-twisted strand is twisted to form loops or curls. This strand is held in p
lace by one or two binder yarns.
loose cover
Another term for
slipcover. See
slipcover.[1]The gloss, sheen, or shine of a
fiber,
yarn, or fabric.
luster
The gloss, sheen, or shine of a
fiber,
yarn, or fabric.
Macclesfield silk
Hand-woven
silk or
rayon fabric with small overall Jacquard patterns. Macclesfield, England, is the town of origin. Today, the name applies to small,
yarn dyed,
dobby designs used in mens neckties. See
Spitalfields.
macrame
An ancient method of forming open fabrics by knotting string,
yarn, or other threads. Macrame can be used to make anything from delicate trimmings to sturdy items such as hammocks. Recently, wall hangings of macrame have also become popular.
marl
A technical term that refers to a
yarn made of different colored fibers. The word is used descriptively for fabrics to indicate randomly or uniformly colored slubs that appear on the surface giving added textural and design interest to the fabric.
matelasse
A soft double or compound fabric with a quilted appearance. One of the fabrics that, like
cloque, has a blistered or quilted look to the design. Officially, the word matelasse implies the use of two different yarns that, when fini
shed, react differently to the
finishing resulting in a puckered effect in the fabric. In practice, the term matelasse is usually applied to luxury fabrics for evening wear, while a word such as
cloque is used for a similar fabric made from
cotton. The heavier type is used in draperies and upholstery, whereas
crepe matelasse is popular in dresses, semiformal and formal suits and wraps, and trimmings.
matte
A dull surface on a fabric. Since one of the characteristics of fabrics made from
man-made fibers is a shiny surface, mattefini
shed fabrics have become popular and matte looks for man-made fabrics are achieved in
yarn processing or
finishing. See
finishing.
mercerization
A finish applied to
cotton yarn or fabric or to a blend of
cotton and other fibers to make it stronger, more absorbent, and to give the fabric additional
luster and increased ability to take dye. Mercerization can be done at the
yarn stage or the fabric stage. In common with several other textile processes, mercerization involves the use of caustic soda (sodium hydroxide or lye).
mesh
A term for a large class of open fabrics made by almost all methods except felting. It can be made of any
fiber,
mixture, or blend. Mesh fabrics are used for bags, summer sport shirts, under wear, foundation garments, and hosiery. Mesh hosiery is knitted in such a pattern that, when one
yarn is snagged, the stocking will not develop a long, vertical run, but a hole instead. Mesh stockings and panty hose are believed to wear better than other constructions.
milanese
A kind of
warp knitting with several sets of yarns. Characteristie is its diagonal argyle-type pattern.
mock crepe
A term for fabrics that have the appearance of
crepe, but are not made from
crepe yarns. See
crepe.
moss crepe
Officially, moss
crepe is made in a plain or
dobby weave with
rayon yarns that produce the moss-like effect. In practice, however, the term refers to any
crepe, including polyester, considered to have a moss-like surface. See weaving.
multifilament yarn
A
yarn made of two or more filaments (long threads) of
man-made fibers (monofilaments) that are joined together, usually by twistingally by twisting.
rag rug
A floor covering woven with strips of twisted rags made of
cotton,
wool, ür synthetic fabrics braided, crocheted, or bound and used as the filling on a
cotton or synthetic
yarn warp. Rag rugs are made by hand or ma
chine, and with the exception of some handmade antique rags, usually are the most inexpensive rugs.
raschel
A knit made on a raschel ma
chine, a
warp knitting ma
chine that can use bulky yarns to form designs imitating
crochet or net.
raw-stock dyeing
dyeing of
fibers before
spinning into
yarn. It is synonymous with
fiber-dyed. See
fiber-dyed.
reprocessed fibers
Fibers obtained from scraps and clips of woven and felted fabrics made of previously urmsed woot that have been shredded back into
fiber form and then remade into new yarns. Reprocessed
fibers are usually
wool fibers and must be relabeled as reprocessed
wool ac
cording to Federal Trade Commission standards. Reprocessed
fibers are less desirable than new or virgin
fibers. See virgin Fiber.
rib weave
A
plain weave that forms ridges in a fabric through the way in which it is woven or by the use of thicker yarns for the filling than those used tot the
warp. See weaving, filling, and
warp.
romain crepe
A semi
sheer fabric of abraded yarns in
warp and filling. It is made of
rayon and
acetate ar
wool and is used tot street and dressy dresses.
rows to the inch
Rows of
yarn tufts to the inch lengthwise.
hooked rug
A rug made by hand or ma
chine using a hook to pull loops of
yarn or fabric through a coarse backing or
canvas to form a pile.
rag rug
A rug woven with strips of
cotton,
wool, or synthetic fabrics used as the filling on a
cotton or synthetic
yarn warp. Rag rugs are made by hand and ma
chine and, with the exception of some hand-made antique rag rugs, are usually the most inexpensive rugs.
salt and pepper
A fabric made of a combination of white and black yarns. The term usually is used to describe tweed fabrics. See tweed.
sateen
A strong, lustrous, mercerized,
satin-weave fabric made of
cotton, blends of
cotton with polyester, or spun-
yarn fabrie characterized by floats running in the filling direction. Sateen Is also used to distinguish between
cotton satin-weave fabrics and
satin-weave fabrics made of sük or
man-made fibers. It is used for linings, draperies, and comforters. See weaving and
satin weave.
seed yarn
A very small nub often made of dyed
man-made fibers applied to a dyed or natural-base
yarn.
selvage
The long, outer, fini
shed edge of both sides of a woven fabric that does not ravel because the filling yarns wrap around the
warp yarns. It may also be called self-edge or selvedge.
shadow printing
A printing method in which only the
warp yarns are printed with a design before the fabric is woven. ""fhe resulting fabric has a wavy, shadowy effect. It is also called
warp printing.
shadow stripes
Faint impressions of stripes achieved by using yarns of the same color but different
twists in weaving a fabric. The shadow effect comes from the way in which the light strikes the yarns of varying
twists. See
twist.
sharkskin
(1) A heavy weight, fairly lustrous
cotton,
linen,
silk, or man-made
fiber fabric with a sleek, hard-fini
shed, crisp, and pebbly surface and a chalky
luster. Today, it is almost always made of
acetate or tri
acetate. Filament yarns, when used, are twisted and woven tightly in a plain-weave or basket-weave construction, depending on the effect desired. Staple
fiber yarns are handled in the same manner, except for
wool. Sharkskin is best known in its stark white color especially popular for tennis outfits and for permanently pleated white skirts when they are in fashion. (2) A
wool fabric in
twill weave, originally made of yarns of two colors.
sheath-core yarn
A bulky
yarn of synthetic fibers consisting of a core of fine
denier fibers with considerable shrinkage and a cover or wrapping of coarse
denier relaxed fibers.
shed
The opening between
warp yarns through which filling yarns are passed.
shedding
The raising and lowering of the
warp ends by means of the harness and heddles to form the
shed (passage) for the filling
yarn to pass through from one side of the
loom to the other.
shot
Another name for
iridescent and
changeable fabric. Fabric woven with yarns of one color in the
warp and another color in the filling so that the fabric seems to change color as the light strikes it.
shuttle
The part of the weaving ma
chine (loom) that carries the filling
yarn over and under the
warp yarns.
shuttleless loom
A ma
chine that carries the filling yarns through the
shed by the use of air or water jets and grippers.
pongee
A plain-weave, fairly lightweight
silk fabric with a slight slub to the yarns. Today, the terms
Honan and pongee are used interchangeably for fabrics with this
texture, but made from man-made fabrics.
shantung
A
silk similar to
pongee in that it, too, is made with slubbed yarns, but in shantung the unevenness of the yarns is even greater. Shantung is one of the fabrics that originated in
silk and has been imitated extensively in the
man-made fibers.
silk noil
Short ends of
silk fibers used in making rough,
textured, spun yarns or in blends with
cotton or
wool.
sizing
Starch, gelatin, glue, wax, casein, or clay added to fabrics in the
finishing stages to give fabric additional body, a smoother appearance, and more weight. Cotton fabrics are those most commonly treated in this manner. At one time, sizing had to be replaced after each cleaning. Today, with more advanced
finishing techniques, sizing is rarely used and fabrics usually retain their initial appearance through cleaning. A few fabrics such as needlepoint
canvas are still sized so that they can be handled more easily. This in no way affects their final performance. Sizing also refers to the starch that is applied to the
warp yarns to help prevent
abrasion during the weaving process. This sizing is usually removed from the fabric in one of the
finishing steps.
skein
A coil of
yarn, which, unlike a spool of
thread, has no center supporting object. The term skein and hank are sometimes considered synonyms. See hank.
space dyeing
A method of dyeing
yarn by dipping in dye or spotting in various places along the
yarn. This causes different sections of the
yarn to appear in different colors. The resulting fabric often has unusual, rainbow-like effects.
spinning
A method of drawing out and
twisting together fibers to make a continuous
thread or
yarn. Spinning also refers to the manufacture of man-rnade fibers as they are formed by fcucing the
material from which they are rnade through a
spinneret. In conventional spinning, the tighter the
twist, the stronger the
yarn, but too tight a
twist can weaken the final
yarn. Crepe
yarns have such an extremely high
twist that the
yarn actually turns back on itself (kinks), producing the characteristic
crepe or corksc_rew look. Pabrics can be given shadow effects by the Lise of two
yarns which have been
twisted in opposite directions during spinning. This will strike each of these
yarns in a different way producing this effect. See
spinneret.
spinning quality
"The ease with which fibers lend themselves to
yarn-manufacturing processes
splash yarn
An elongated nub
yarn that has been tightly twisted around a base
yarn.
spun fiber yarn
(1) A
yarn twisted by
spinning. (2) Yarn made from
staple lengths of man-made
fibers instead of the long fiIaments in which man-made
fibers are formed. To accomplish this, long
filament fibers are chopped into
staple lengths and spun to imitate natural
fiber yarns. See
filament arrd
staple.
spun polyester
See spun
fiber yarn.
spun rayon
See spun
fiber yarn.
spun silk
Yarn or fabric made from short fibers of pierced cocoons or from short ends at the outside and inside edges of the cocoons that cannot be reeled.
staple
Short lengths of
fiber, measured in inches or fractions of inches, like those naturally found in
cotton and
wool. These short lengths must be spun to obtain a length sufficient for weaving or
knitting. Silk is the only natural
fiber that does not come in staple lengths, but instead in
filament lengths. Man-made
fibers often are cut into staple lengths for
spinning to imitate natural
fibers. See
spinning,
filament, and spun
fiber yarn.
stitchery
The contemporary approach to traditional
embroidery in which the same basic stitches are used, but in a freer, less restricted manner to create their own form and shapes. The yarns used in stitchery go beyond traditional
wool and
silk embroidery floss. Anything can be used to make the stitches from
ribbon and
cord to narrow strips of fabric or even fish
line. Stitchery may be used to decorate clothing, home furnishings items, and for wall hangings. Sec
embroidery.
stretch fibers
Rubber or man-made plastik
fibers (such as
spandex and anidex) that are naturally elastic or man-rnade
fibers, highly twisted, heat-set, and untwisted to leave a strong crimp. Polyester has a certain degree ol natural streich and more can iue given to the
yarn in the processing or in the
finishing of the fabric. Occasionally, polyester woven fabrics are described as stretch fabrics. Usually, stretch implies a degree of visible give in a
fiber or fabric that stretches and then returns quickly to its original shape. Stretch fabrics are sometirnes described as elastic. Sec elastic, crimp, and
recovery. See also
spandex and anidex.
stretch yarn
A
textured yarn that has good stretch and
recovery. It can also refer to
yarns made of
fibers that have elastic properties or to those
yarns whose elastic properties are obtained by alterations of the basic
fiber.
taffeta
A fine,
yarn-dyed, closely woven, plain-weave, smooth on both sides, stiffened fabric with a crisp feel and a sheen on its surface. Taffeta was originally made of
silk, but is also made of
rayon,
cotton,
acetate, or other
man-made fibers. lt is named for the Persian fabric "taftan". The
rustle of
silk taffeta is called
scroop, and it may be a solid color, printed or woven so that the colors appear
iridescent. A list of the most common types of taffeta follows. lt is used for dresses, blouses, ribbons, draperies, bedspreads, and curtains. See
scroop.
tassel
Several strands of
yarn loops joined together below the top and cut at the end. Tassels are used in rows as home furnishings trimmings and singly for such uses as
zipper pulls or on the corners of pillows.
tex
A system of
yarn numbering that measures the weight in grams of one kilometer of
yarn.
texturalized
A method of adding
texture to otherwise smooth
yarns. See
textured
yarn.
textured
A surface woven with a nubby
yarn construction. lt may be made in any liber.